Brinolia’s Genre Journey

List of Musicmap Genres ACID HOUSE ACID JAZZ / JAZZDANCE AMBIENT AMBIENT BREAKS & ILLBIENT AMBIENT HOUSE / CHILL-OUT AMBIENT TECHNO & IDM (INTELLIGENT DANCE MUSIC)   AMERICAN & BRITISH FOLK REVIVAL   AMERICANA / ALTERNATIVE COUNTRY   ANARCHO-PUNK, CRUST PUNK & D-BEAT / DISCORE   ASIAN POP BAKERSFIELD BASSLINE & UK FUNKY (MERSEY)BEAT / BRITISH INVASION BEBOP BIT MUSIC / VGM (CHIPTUNE & 8-BIT)   BLACK METAL BLUEGRASS BOOGIE / ELECTROFUNK BOOGIE WOOGIE / PIANO BLUES BREAKBEAT GARAGE & GRIME BREAKBEAT HARDCORE (RAVE II) BRILL BUILDING POP   BRITISH BLUES & BLUES ROCK BRITPOP BROKEN BEATS BUBBLEGUM & TEENYBOP CHEMICAL BREAKS & BIG BEAT CHICAGO BLUES / CITY BLUES / URBAN BLUES   CHICAGO HOUSE & GARAGE HOUSE CHICAGO JAZZ CHICAGO SOUL & DETROIT SOUL (MOTOWN ) CLASSIC COUNTRY / HILLBILLY CLASSIC METAL CLASSIC TRANCE & ACID TRANCE CONTEMPORARY COUNTRY / NEOTRADITIONALISTS   COOL JAZZ & WEST COAST JAZZ ...

 When: 1981 Super Genre: Punk/Wave / (rock ‘n’ roll) Description: “Psychobilly is a weird and unusual fusion genre that never received much attention, although it has a recognizable sound and substantial subculture. In the late seventies, Punk/Garage artists were drawn towards Rockabilly. The mixture of these genres processed a remarkable outcome: creepy Rock ‘n’ Roll with haunting echos, spooky sound effects and rough chainsaw riffs. It is downright crazy music, like the band had lost their brain and became zombified, hence the word Psychobilly. Vocals are also often sung in a stuttering manner, reminiscent of Rockabilly. Horror Punk or Horror Rock is a genre defined by a large amount of nostalgia for fifties imagery, fashion and themes and especially horror films. Horror Punk shares a great deal of overlapping with Psychobilly as both genres like to indulge in a subculture of B-flicks and cultmovies. Horror Punk and Psychobilly are among the few subgenres of Punk that don’t take ...

When: 1953 Super Genre: Rock ‘n’ Roll / (country) Description: “ Rock ‘n’ Roll was musically speaking not a great step forward; its origins in Boogie Woogie and R&B were obvious. It was mainly a racial thing: young, attractive, white singers bringing black music into the living rooms of white people (especially girls), and turning heads by shaking their pelvis and/or standing on pianos. At the same time, Hillbilly Country musicians became influenced by early Country Blues and created uptempo Country with a strong beat, slapped upright bass, and stuttering vocals: Rockabilly. Both genres, as well as some Country music, originated on the famous Sun Records label in Memphis. Rock ‘n’ Roll often overlaps with Rockabilly’s simple, uptempo blues with three chords, a boogie back beat, and the holy instrument trinity of rock: drums, guitar and bass. As one can see, early Rock ‘n’ Roll was difficult to separate from early Rhythm ‘n’ Blues. However, the often overlooked effect of amphetamine...

When: 1939 Super Genre: Country Description: “ Country before the forties had a bit of a multiple personality disorder. While one part of it evolved as a crazy, fun barn dance music, the other part went the opposite way. It evolved as an introvert, back-to-the-roots music that wasn’t happy at all, and often involved tragic ballads, known as Honky Tonk. Most Honky-Tonk songs deal about relationship problems, alcohol abuse, financial worries or other misfortune. Instead of large barns, this music was played in the more intimate bars of southern USA, which were called “honky-tonks”. However, honky tonks were still large enough to force the artist to implement electric instrumentation, in order to top the crowd volume-wise. Honky Tonk also introduced a steady 4/4 beat to Country Music, which diverted the genre from Folk. Honky Tonk artists often sang with a thick, southern tongueand in a nasal tone. Combined with cowboy hat, boots, and costume, the caricature of the traditional Country sin...

When: 1925 Super Genre: Country Description: “ Before Country, there was already evidence of a type of music played by white Americans living in the hills or rural areas (the countryside, especially Appalachia) and (so-the-tale-goes) often named Billy: the Hillbillies. They made acoustic music with whatever instrument they could lay their hands on: classic guitar, fiddle, mandolin, banjo, bass, and later Hawaiian style slide guitar. All these instruments produced sharp, short tones fitting for the rough, mountainous environment. Irish and British Folk music, popular among European immigrants in the US, laid the foundations for a new kind of hymn that formed the blueprint for Country. And under the influence of Blues and Celtic Folk, this liquor- (and gun-) fueled proto-country or Hillbilly music gradually became a whole new group of music. The lyrics of Classic Country dealt with individual stories like Blues, but were more suited for a younger audience (there was no place for sex and ...

When: 1947 Super Genre: Country Description: “ Hillbilly Country evolved into something completely different in the forties. A lot of focus was put on the strings, which were fiercely fiddled, to create another type of Classic Country, called Bluegrass. Bluegrass took its name from one of the first practicing bands: Bill Monroe and the Bluegrass Boys, who in their turn were named after the state Kentucky aka “the Bluegrass Country”. Bluegrass is that typical, atmospheric, hi-pitched, hyperactive country most people know. Violins are very common, alongside mandolin, guitar and banjo. Although Bluegrass sounds like it’s not taking itself seriously, it is actually very reactionary and serious music, rising up against authority. Bluegrass is more zealous than other country genres, spreading forth revolution and highly religious messages, like a musical crusade. A bit like political Folk music one could say, but with a certain supercharged overdrive. Bluegrass swears off electric instrument...

When: 1910 Super Genre: Blues Description: “ Country Blues means rural Blues; Blues far away from the city, at a time when there existed almost no popular music whatsoever. Country Blues did not evolve out of Country music: it was the other way around. Therefore the only existing music besides Folk and Classical music at the time of Blues’s conception was Gospel. Almost automatically, Blues becomes the antithesis of Gospel. Wandering black singers who lost their faith due to misfortune slowly but steadily developed their personal, secular type of Gospel or more accurately: “badspel”, as there was little positive news for them to tell. At first they simply used (cheap) banjos, and later bottleneck guitars on which they liked to play blue notes while singing AAB verses. The music was very spontaneous and improvised: singers would play any chords and sing any lyrics that would come to mind, but often about tragic or depressing events. Folk or Country Blues has almost as many different sub...